Gin Pollock is an artist of exceptional talent and vitality
whose art alternates between works that grapple with the lonely side
of human experience, such as “Blue Monday” and “Blue
Groom,” and pieces, such as “Long Strange Trip,” that
celebrate life and its possibilities with exuberance and wit. Though
rigorously schooled in art history and technique -- her works resound
with echoes of the Masters and her compositions have impeccable balance
and movement -- Gin Pollock’s work also reveals a tremendous unbridled
energy, utterly personal and unbound by abstract thought.
Pollock’s work reflects Picasso, Miro, and Matisse in its bold
and fluid depictions of the human figure. Her use of color -- brilliant,
highly varied, totally self-assured -- is completely her own.
Her body of work achieves that rare feat for an artist
of creating a complete alternate world -- unique and self-sufficient,
enchantingly strange and yet movingly familiar. Her figures and their
objects -- ladders, chalices, doorways, jester’s caps -- whirl
on the winds of her imagination through kaleidoscopic dreamscapes of
peril and promise.
Her work derives further richness from her explorations
of Jungian archetypes and her recurring use of certain private symbols
such as the “Blue Prince,” a rescuing, Prince Charming type
of figure, and the aforementioned chalices and ladders.
Adding yet another attraction to these beautiful works
is the artist’s deadpan wit and resilient sense of perspective,
reflected in such titles as “Mermaid Mardi Gras,” “Pull
Up a Chair, Watch God Juggle,” and “Eden Above, Looters
Below.” In the world of Gin Pollock, pain and loneliness pose
formidable challenges, but art and beauty, love and humanity usually
carry the day.
Born in Michigan in 1958, Gin Pollock originally planned
to be a journalist but her first bouts with manic depression, at age
nineteen, put to rest any conventional career plans. She then picked
up a pencil and began to draw. She went on to study art under Jakob
Engler at the renowned Kunstgewerbeschule in Basel, Switzerland, and
earn a Bachelor of Fine Arts degree from the University of Colorado
at Denver. She furthered her studies at the Art Students League of Denver,
studying with abstract artist Dale Chisman and pastelist Doug Dawson.
Gin Pollock has exhibited her work in both Denver and
Santa Fe. She loves teaching art and art history, and has done so in
settings ranging from convents to preschools, psychiatric wards to university
(the University of Colorado at Denver). She has also lectured on manic
depression and the creative process. During down phases, she avoids
other people, as well as her studio, and has her husband Carl tell inquirers
that she has “gone to Italy.” When up, Gin Pollock paints
and draws with a shimmering vengeance..